A blind lover, don't knowwhat I love till I write it out
I believe this. When we meet those we fall in love with, there is an aspect of our spirit that is historian, a bit of a pedant who reminisces or remembers a meeting when the other has passed by innocentlybut all parts of the body must be ready for the other, all atoms must jump in one direction for desire to occur.
...sometimes we enter art to hide within it. It is where we can go to save ourselves, where a third-person voice protects us.
From this point on in our lives, she had whispered to him earlier, we will either find or lose our souls.
He knows that the only way he can accept losing her is if he can continue to hold her or be held by her. If they can somehow nurse each other out of this. Not with a wall.
Because we want to know things, how the pieces fit. Talkers seduce, words direct us into corners. We want more than anything to grow and change. Brave new world.
But nothing is said of the closeness between two people: how they grew in the shade of each other's presence. No one speaks of that exchange of gift and character --- the way a person took on and recognized in himself the smile of a lover. Individuals are seen only in the context of these swirling social tides.
You built your walls too, she tells him. So I have my wall. She says it glittering in a beauty he cannot stand. She with her beautiful clothes with her pale face that laughs at everyone who smiles at her...
Everything that ever happened to me that was important happened in the desert.
In the book the relationship with Katharine and Almasy is sort of only in the patient's mind.
That's Anil's path. She grows up in Sri Lanka, goes and gets educated abroad, and through fate or chance gets brought back by the Human Rights Commission to investigate war crimes.
The first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human. Meander if you want to get to town.
Copyrighted © 2019 — Quotation.io. All rights reserved.
