The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize.
It is still news to her that passioncould steer her wrongthough she went down, a thousand timesstrung outacross railroad tracks, off bridgesunder cars, or stiffglass bottle still in hand, hair softon greasy pillows, still it isnews she cannot follow love (hisburning footsteps in blue crystalsnow)
Sewaktu kanak-kanak aku percaya pada cinta, sama seperti aku percaya pada peri. Namun pada suatu hari aku mencari di celah-celah kayu dan di balik tudung-tudung jamur. Dan aku tidak menemukan peri atau makhluk-makhluk gaib, hanya lumut, jamur, tanah, dan serangga...Serangga itu bukannya berciuman, melainkan saling memangsa
That enormously complex biological interactions are so flawlessly coordinated as to result in such obvious manifestations as human thought or the electrical activity that dries the heartbeat is as exciting to me -- actually more exciting -- than such phenomena were when I was a small boy and thought them divinely (in the supernatural sense) driven.
Through the forest have I gone.But Athenian found I none,On whose eyes I might approveThis flower's force in stirring love.Night and silence.--Who is here?Weeds of Athens he doth wear:This is he, my master said,Despised the Athenian maid;And here the maiden, sleeping sound,On the dank and dirty ground.Pretty soul! she durst not lieNear this lack-love, this kill-courtesy.Churl, upon thy eyes I throwAll the power this charm doth owe.When thou wakest, let love forbidSleep his seat on thy eyelid:So awake when I am gone;For I must now to Oberon.
My hands tend to be full enough dealing with people who hate me for who I am. Concentrate too hard on the millions of people who hate you for what you are and you're likely to turn into one of those unkempt, sloppy dressers who sag beneath the weight of the two hundred political buttons they wear pinned to their coats and knapsacks.
Gus and I talk about girls a lot, but we can't figure them out. They are so confusing. Like, if you look at them, they get mad. And if you don't look at them, they get mad. And if you're nice to them, they think you like them. And if you're mean to them, they think you like them. And if you do like them, they think you hate them.
I know not why any one but a schoolboy in his declamation should whine over the Commonwealth of Rome, which grew great only by the misery of the rest of mankind. The Romans, like others, as soon as they grew rich, grew corrupt; and in their corruption sold the lives and freedoms of themselves, and of one another.
Thinking back on it, this evening, with my heart and my stomach all like jelly, I have finally concluded, maybe that's what life life is about: there's a lot of despair, but also the odd moment of beauty, where time is no longer the same. It's as if those strains of music created a sort of interlude in time, something suspended, an elsewhere that had come to us, an always within never.Yes, that's it, an always within never.
But when a man draws a lifeless thing into his passionate longing for dialogue, lending it independence and as it were a soul, then there may dawn in him the presentiment of a world-wide dialogue with the world-happening that steps up to him even in his environment, which consists partially of things. Or do you seriously think that the giving and taking of signs halts on the threshold of that business where an honest and open spirit is found?