He killed his enemies because he was afraid they would kill him. Amin ordered entire tribes to be put to death, because he feared they would rebel.
Since there is no one else to praise me, I will praise myself -- will say that I have never tampered with a single tooth in my thought machine, such as it is. There are teeth missing, God knows -- some I was born without, teeth that will never grow. And other teeth have been stripped by the clutchless shifts of history -- But never have I willfully destroyed a tooth on a gear of my thinking machine. Never have I said to myself, 'This fact I can do without.
Intelligence makes clear to us the interrelationship of means and ends. But mere thinking cannot give us a sense of the ultimate and fundamental ends. To make clear these fundamental ends and valuations and to set them fast in the emotional life of the individual, seems to me precisely the most important function which religion has to form in the social life of man.
But the inexplicability of the General's conduct dwelt much on her thoughts. That he was very particular in his eating, she had, by her own unassisted observation, already discovered; but why should he say one thing so positively, and mean another all the while, was most unaccountable. How were people, at that rate, to be understood?
It is a very grave mistake to think that the enjoyment of seeing and searching can be promoted by means of coercion and a sense of duty. To the contrary, I believe it would be possible to rob even a healthy beast of prey of its voraciousness, if it were possible, with the aid of a whip, to force the beast to devour continuously, even when not hungry.
We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
A car crash harnesses elements of eroticism, aggression, desire, speed, drama, kinesthetic factors, the stylizing of motion, consumer goods, status -- all these in one event. I myself see the car crash as a tremendous sexual event really: a liberation of human and machine libido (if there is such a thing).