One side-effect of the so-called war on terror has been a crisis of liberalism. This is not only a question of alarmingly illiberal legislation, but a more general problem of how the liberal state deals with its anti-liberal enemies.
I took several long walks in the Wright and adjacent Taylor Valleys. I did not feel insignificant on these journeys, dwarfed or shrugged off by the land, but superfluous. It is a difficult landscape to enter, and to develop a rapport with. It is not inimical or hostile, but indifferent, utterly remote, even as you stand in it. The light itself is aloof.
My beloved has arrived, but rather than greeting him, All I can do is bite the corner of my apron with a blank expression- What an awkward woman am I. My heart has longed for him as hugely and openly as a full moonBut instead I narrow my eyes, and my glance to him Is sharp and narrow as the crescent moon. But then, I'm not the only one who behaves this way. My mother and my mother's mother were as silly and stumbling as I am when they were girls...Still, the love from my heart is overflowing, As bright and crimson as the heated metal in a blacksmith's forge.
Any rapist would feel pretty dang upset to see his car packed full with rotting fish heads and limburger cheese...Also, if the 542 women responsible were crowded onto the street where he lived, insisting that he move himself and his stinky car to another locale.Nobody likes to be pelted with 2060 bloody tampons.
Anyone who realises what Love is, the dedication of the heart, so profound, so absorbing, so mysterious, so imperative, and always just in the noblest natures so strong, cannot fail to see how difficult, how tragic even, must often be the fate of those whose deepest feelings are destined from the earliest days to be a riddle and a stumbling-block, unexplained to themselves, passed over in silence by others.
The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.
Shiva... is the only hunter that will ever catch the wild swan;The prey she will take last is the wild white swan of the beauty of things.Then she will be alone, pure destruction, achieved and supreme,Empty darkness under the death-tent wings.She will build a nest of the swan's bones and hatch a new brood,Hang new heavens with new birds, all be renewed.
I have good news and I have bad news. The good news is that your house hasn't burned down, you don't have cancer, and your daughter hasn't been raped or murdered. The bad news is that I ran over your dog. And your son. And his wife. But not before I ran out of gas to achieve all of that.
is what makes moments caught up in the immanence of return suddenly appear as ends. In every other system, don't forget, these moments are viewed as means: Every moral system proclaims that each moment of life ought to be motivated. Return unmotivates the moment and frees life of ends.
Life is so full of unpredictable beauty and strange surprises. Sometimes that beauty is too much for me to handle. Do you know that feeling? When something is just too beautiful? When someone says something or writes something or plays something that moves you to the point of tears, maybe even changes you.