I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows, with a harp and sword in my hands.
Long years ago we made a tryst with destiny, and now the time comes when we shall redeem our pledge, not wholly or in full measure, but very substantially. At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom. A moment comes, which comes but rarely in history, when we step out from the old to the new, when an age ends, and when the soul of a nation, long suppressed, finds utterance. It is fitting that at this solemn moment we take the pledge of dedication to the service of India and her people and to the still larger cause of humanity.
In the fields and woods more than anything else all things come to those who wait, because all things are on the move, and are sure sooner or later to come your way. To absorb a thing is better than to learn it, and we absorb what we enjoy. We learn things at school; we absorb them in the fields and woods. When we look upon Nature with fondness and appreciation, she meets us halfway and takes a deeper hold on us than when studiously conned. Hence I say the way of knowledge of Nature is the way of love and enjoyment, and is more surely found in the open air than in the school room or the laboratory.
here's the sick, twisted thing: part of me thinks i deserve this. that maybe if i wasn't such an asshole, issac would have been real. if i wasn't such a lame excuse for a person, something right might happen to me. it's not fair, because i didn't ask for dad to leave, and i didn't ask to be depressed, and i didn't ask for us to have no money, and i didn't ask to want to fuck boys, and i didn't ask to be so stupid, and i didn't ask to have no real friends, and i didn't ask to have half the shit that comes out of my mouth come out of my mouth. all i wanted was one fucking break, one idiotic good thing, that was clearly too much to ask for, too much to want.
A source of bad conscience, however, is the knowledge that my way of life, austere though it may appear to the richer folk, is still ruinously exploitive of nature -- not in my backyard, where I practice harmlessness toward even the wasps, but in the atmosphere, where my fossil fuel combustion's carbon dioxide is helping change the climate; in all those mountainous places where the metals and minerals that structure and drive my American life are torn from the earth; and in the flesh of fish and birds, mammals, and reptiles, where the chemicals that made the paper and plastic I use bioaccumulate, deforming reproduction. That guilty knowledge is another argument for material simplicity. The less I consume, the less harm I do to that which I love. In a consumer society, harmless living may be simple, but it is not easy. I make no claim to exemplary harmlessness or simplicity.
Every life has a soundtrack.There is a tune that makes me think of the summer I spent rubbing baby oil on my stomach in pursuit of the perfect tan. There's another that reminds me of tagging along with my father on Sunday morning to pick up the There's the song that reminds me of using fake ID to get into a nightclub; and the one that brings back my cousin Isobel's sweet sixteen, where I played Seven Minutes in Heaven with a boy whose breath smelled like tomato soup. If you ask me, music is the language of memory.
The change of mind I am talking about involves not just a change of knowledge, but also a change of attitude toward our essential ignorance, a change in our bearing in the face of mystery. The principle of ecology, if we will take it to heart, should keep us aware that our lives depend on other lives and upon processes and energies in an interlocking system that, though we can destroy it, we can neither fully understand nor fully control. And our great dangerousness is that, locked in our selfish and myopic economies, we have been willing to change or destroy far beyond our power to understand.
Further, we can now explain the widespread custom of covering up mirrors or turning them to the wall after a death has taken place in the house. It is feared that the soul, projected out of the person in the shape of his reflection in the mirror, may be carried off by the ghost of the departed, which is commonly supposed to linger about the house till the burial. The custom is thus exactly parallel to the Aru custom of not sleeping in a house after a death for fear that the soul, projected out of the body in a dream, may meet the ghost and be carried off by it. The reason why sick people should not see themselves in a mirror, and why the mirror in a sick-room is therefore covered up, is also plain; in time of sickness, when the soul might take flight so easily, it is particularly dangerous to project it out of the body by means of the reflection in a mirror. The rule is therefore precisely parallel to the rule observed by some peoples of not allowing sick people to sleep; for in sleep the soul is projected out of the body, and there is always a risk that it may not return.http://www.bartleby.com/196/pages/page192.html
If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling. I don't want to open up my cornflakes and find that they're full of pebbles... You need to respect the reader enough not to call it something it isn't.
There are some men who possess a quality which goes way beyond romantic or even sexual appeal, a quality which literally enslaves. It has very little to do with looks and nothing at all to do with youth, because there are some quite mature and unathletic specimens who have it. It's an expression in the eyes, an aura of being in control, and responsible, or something easy and powerful in the stance, or who knows.