A photograph is usually looked at - seldom looked into.
Who sees the human face correctly: the photographer, the mirror, or the painter?
I really believe there are things nobody would see if I didn't photograph them.
A photographer without a magazine behind him is like a farmer without fields.
Character, like a photograph, develops in darkness.
Photography suits the temper of this age -- of active bodies and minds. It is a perfect medium for one whose mind is teeming with ideas, imagery, for a prolific worker who would be slowed down by painting or sculpting, for one who sees quickly and acts decisively, accurately.
Not everybody trusts paintings but people believe photographs.
The virtue of the camera is not the power it has to transform the photographer into an artist, but the impulse it gives him to keep on looking - and looking.
When I look at my old pictures, all I can see is what I used to be but am no longer. I think: What I can see is what I am not.
I take photographs with love, so I try to make them art objects. But I make them for myself first and foremost - that is important.
The photograph itself doesn't interest me. I want only to capture a minute part of reality.
Fotografi mengajarkan pada kita cara yang unik dalam melihat dunia dan sekaligus memberikan penyadaran baru akan segala keindahan yang ada di sekitar kita.
My pictures are my eyes. I photograph what I see - and what I want to see.
We are often taught to look for the beauty in all things, so in finding it, the layman asks the philosopher while the philosopher asks the photographer.
Giving Back reframes portraits of philanthropy.
We regard the photograph, the picture on our wall, as the object itself (the man, landscape, and so on) depicted there. This need not have been so. We could easily imagine people who did not have this relation to such pictures. Who, for example, would be repelled by photographs, because a face without color and even perhaps a face in reduced proportions struck them as inhuman.
If you scratch a great photograph, you find two things; a painting and a photograph.
A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion. There is no such thing as inaccuracy in a photograph. All photographs are accurate. None of them is the truth.
Sometimes you can tell a large story with a tiny subject.
A photographer is like a cod, which produces a million eggs in order that one may reach maturity.
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