Quote by Maya Lin

Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.


Art is very tricky because it's what you do for yourself. It

Summary

This quote emphasizes the inherent difficulty in creating art as a personal endeavor. The speaker suggests that the act of making art for oneself is a more challenging task compared to creating grand structures like monuments or architecture. It implies that personal expressions through art require a deeper level of emotional vulnerability, introspection, and self-reflection, making it a complex and intricate process. Ultimately, it highlights the unique intricacies involved in creating authentic and meaningful art.

By Maya Lin
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Random Quotations

On the contrary, art consists of inventing and not copying. The Italian Renaissance is a period of artistic decadence. Those men, devoid of their predecessors' inventiveness, thought they were stronger as imitators-that is false. Art must be free in its inventiveness, it must raise us above too much reality. This is its goal, whether it is poetry or painting. The plastic life, the picture, is made up of harmonious relationships among volumes, lines, and colors. These are the three forces that must govern works of art. If, in organizing these three essential elements harmoniously, one finds that objects, elements of reality, can enter into the composition, it may be better and may give the work more richness. But they must be subordinated to the three essential elements mentioned above. Modern work thus takes a point of view directly opposed to academic work. Academic work puts the subject first and relegates pictorial values to a secondary level, if there is room.For us others, it is the opposite. Every canvas, even if nonrepresentational, that depends on harmonious relationships of the three forces-color, volume, and line-is a work of art. I repeat, if the object can be included without shattering the governing structure, the canvas is enriched.Sometimes these relationships are merely decorative when they are abstract. But if objects figure in the composition-free objects with a genuine plastic value-pictures result that have as much variety and profundity as any with an imitative subject.

Fernand Leger