Quote by Soren Kierkegaard

The difference between a man who faces death for the sake of an idea and an imitator who goes in search of martyrdom is that whilst the former expresses his idea most fully in death it is the strange feeling of bitterness which comes from failure that the latter really enjoys; the former rejoices in his victory, the latter in his suffering.


The difference between a man who faces death for the sake of

Summary

This quote highlights the distinction between a true believer who willingly embraces death for an idea and a mere imitator who seeks martyrdom. The genuine believer finds ultimate fulfillment in expressing their idea to the fullest, even at the cost of their life. In contrast, the imitator derives a peculiar satisfaction from the bitterness of failure and revels in their own suffering, rather than focusing on the victory of their cause. The quote reveals the different motivations and psychological states of individuals who embrace death for an idea.

By Soren Kierkegaard
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From Les Miserables:All at once, in the midst of this profound calm, a fresh sound arose; a sound as celestial, divine, ineffable, ravishing, as the other had been horrible. It was a hymn which issued from the gloom, a dazzling burst of prayer and harmony in the obscure and alarming silence of the night; women's voices, but voices composed at one and the same time of the pure accents of virgins and the innocent accent of children, -- voices which are not of the earth, and which resemble those that the newborn infant still hears, and which the dying man hears already. This song proceeded from the gloomy edifice which towered above the garden. At the moment when the hubbub of demons retreated, one would have said that a choir of angels was approaching through the gloom.Cosette and Jean Valjean fell on their knees.They knew not what it was, they knew not where they were; but both of them, the man and the child, the penitent and the innocent, felt that they must kneel.These voices had this strange characteristic, that they did not prevent the building from seeming to be deserted. It was a supernatural chant in an uninhabited house. While these voices were singing, Jean Valjean thought of nothing. He no longer beheld the night; he beheld a blue sky. It seemed to him that he felt those wings which we all have within us, unfolding.The song died away. It may have lasted a long time. Jean Valjean could not have told. Hours of ecstasy are never more than a moment.

Victor Hugo