Quote by Mark Twain

I haven't a particle of confidence in a man who has no redeeming petty vices whatsoever.


I haven't a particle of confidence in a man who has no redee

Summary

This quote suggests that a person who has absolutely no small flaws or vices might not be trustworthy or admirable. It implies that these minor vices, such as indulging in occasional pleasures or harmless habits, can reveal a person's humanity and relatability. The absence of these imperfections could indicate a lack of genuineness or the possibility that an individual is hiding something. Essentially, the quote highlights the importance of imperfections in understanding and connecting with others.

By Mark Twain
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[from ]For a historian considering the achievement of a certain aim, there are heroes; for the artist treating of a man's relation to all sides of life there cannot and should not be heroes, but there should be men.[...]The historian has to deal with the results of an event, the artist with the fact of the event. An historian in describing a battle says: 'The left flank of such and such an army was advanced to attack such and such a village and drove out the enemy, but was compelled to retire; then the cavalry, which was sent to attack, overthrew...' and so on. But these words have no meaning for the artist and do not actually touch on the event itself. Either from his own experience, or from the letters, memoirs, and accounts, the artist realizes a certain event to himself, and very often (to take the example of a battle) the deductions the historian permits himself to make as to the activity of such and such armies prove to be the very opposite of the artist's deductions. The difference of the results arrived at is also to be explained by the sources from which the two draw their information. For the historian (to keep to the case of a battle) the chief source is found in the reports of the commanding officers and the commander-in-chief. The artist can draw nothing from such sources; they tell him nothing and explain nothing to him. More than that: the artist turns away from them as he finds inevitable falsehood in them. To say nothing of the fact that after any battle the two sides nearly always describe it in quite contradictory ways, in every description of a battle there is a necessary lie, resulting from the need of describing in a few words the actions of thousands of men spread over several miles, and subject to most violent moral excitement under the influence of fear, shame and death.

Leo Tolstoy