Quote by Mary Lou Retton

I like added pressure. It makes me work harder.


I like added pressure. It makes me work harder.

Summary

This quote reflects an individual's positive mindset towards pressure and its impact on their work ethic. Instead of being intimidated or overwhelmed by pressure, the person sees it as a driving force that motivates them to put in greater effort towards their goals. They thrive under pressure, recognizing it as an opportunity to push their boundaries and achieve better results. The belief is that pressure brings out the best in them, ultimately leading to a stronger work ethic and improved productivity.

Topics

Stress
By Mary Lou Retton
Liked the quote? Share it with your friends.

Random Quotations

On the contrary, art consists of inventing and not copying. The Italian Renaissance is a period of artistic decadence. Those men, devoid of their predecessors' inventiveness, thought they were stronger as imitators-that is false. Art must be free in its inventiveness, it must raise us above too much reality. This is its goal, whether it is poetry or painting. The plastic life, the picture, is made up of harmonious relationships among volumes, lines, and colors. These are the three forces that must govern works of art. If, in organizing these three essential elements harmoniously, one finds that objects, elements of reality, can enter into the composition, it may be better and may give the work more richness. But they must be subordinated to the three essential elements mentioned above. Modern work thus takes a point of view directly opposed to academic work. Academic work puts the subject first and relegates pictorial values to a secondary level, if there is room.For us others, it is the opposite. Every canvas, even if nonrepresentational, that depends on harmonious relationships of the three forces-color, volume, and line-is a work of art. I repeat, if the object can be included without shattering the governing structure, the canvas is enriched.Sometimes these relationships are merely decorative when they are abstract. But if objects figure in the composition-free objects with a genuine plastic value-pictures result that have as much variety and profundity as any with an imitative subject.

Fernand Leger