Quote by Kurt Vonnegut

And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.


And Lot's wife, of course, was told not to look back where a

Summary

This quote from Kurt Vonnegut's "Slaughterhouse-Five" reflects on the Biblical story of Lot's wife. Lot's wife is commanded by God's angels not to look back as they flee the city doomed for destruction. However, she disobeys out of curiosity, and consequently, she turns into a pillar of salt. Vonnegut expresses admiration for her defiance and describes it as a profoundly human act. The phrase "So it goes" signifies the acknowledgment of a fate that cannot be changed, emphasizing the inherent frailty of human existence and highlighting the inevitability of consequences.

By Kurt Vonnegut
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From Les Miserables:All at once, in the midst of this profound calm, a fresh sound arose; a sound as celestial, divine, ineffable, ravishing, as the other had been horrible. It was a hymn which issued from the gloom, a dazzling burst of prayer and harmony in the obscure and alarming silence of the night; women's voices, but voices composed at one and the same time of the pure accents of virgins and the innocent accent of children, -- voices which are not of the earth, and which resemble those that the newborn infant still hears, and which the dying man hears already. This song proceeded from the gloomy edifice which towered above the garden. At the moment when the hubbub of demons retreated, one would have said that a choir of angels was approaching through the gloom.Cosette and Jean Valjean fell on their knees.They knew not what it was, they knew not where they were; but both of them, the man and the child, the penitent and the innocent, felt that they must kneel.These voices had this strange characteristic, that they did not prevent the building from seeming to be deserted. It was a supernatural chant in an uninhabited house. While these voices were singing, Jean Valjean thought of nothing. He no longer beheld the night; he beheld a blue sky. It seemed to him that he felt those wings which we all have within us, unfolding.The song died away. It may have lasted a long time. Jean Valjean could not have told. Hours of ecstasy are never more than a moment.

Victor Hugo