Quote by Ludwig Wittgenstein

It seems to me that, in every culture, I come across a chapter headed Wisdom. And then I know exactly what is going to follow: Vanity of vanities, all is vanity.


It seems to me that, in every culture, I come across a chapt

Summary

This quote suggests that in every society, there is a common theme of wisdom, followed by the realization that everything in life is ultimately meaningless and futile. It implies that despite different cultures and backgrounds, human beings universally recognize the limited value of worldly pursuits and desires in the grand scheme of things. The quote hints at a shared existential understanding that seeks to transcend cultural boundaries and reminds us that there is an inherent universality to the human experience of seeking meaning.

By Ludwig Wittgenstein
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Random Quotations

He always looked forward to the evening drives through the centre of Shanghai, this electric and lurid city, more exciting than any other in the world. As they reached the Bubbling Well Road he pressed his face to the windshield and gazed at the pavements lined with night-clubs and gambling dens, crowded with bar-girls and gangsters and rich beggars with their bodyguards. Crowds of gamblers pushed their way into the jai alai stadiums, blocking the traffic in the Bubbling Well Road. An armoured police van with two Thompson guns mounted in a steel turret above the driver swung in front of the Packard and cleared the pavement. A party of young Chinese women in sequinned dresses tripped over a child's coffin decked with paper flowers. Arms linked together, they lurched against the radiator grille of the Packard and swayed past Jim's window, slapping the windshield with their small hands and screaming obscenities. Nearby, along the windows of the Sun Sun department store in the Nanking Road, a party of young European jews were fighting in and out of the strolling crowds with a gang of older German boys in the swastika armbands of the Graf Zeppelin Club. Chased by the police sirens, they ran through the entrance of the Cathay Theatre, the world's largest cinema, where a crowd of Chinese shopgirls and typists, beggars and pickpockets spilled in the street to watch people arriving for the evening performance. As they stepped from their limousines the women steered their long skirts through the honour guard of fifty hunchbacks in mediaeval costume. Three months earlier, when his parents had taken Jim to the premiere of The Hunchback of Notre Dame, there had been two hundred hunchbacks, recruited by the management of the theatre from every back alley in Shanghai. As always, the spectacle outside the theatre for exceeded anything shown on its screen.

J. G. Ballard, Empire of the Sun