Quote by Willard Gaylen

Shame and guilt are noble emotions essential in the maintenance of civilized society, and vital for the development of some of the most refined and elegant qualities of human potential.


Shame and guilt are noble emotions essential in the maintena

Summary

This quote argues that shame and guilt are important emotions that play a crucial role in upholding civilized society and fostering the growth of admirable qualities in individuals. Rather than considering them as negative emotions, the quote suggests that shame and guilt are noble and necessary as they encourage individuals to adhere to social norms, morals, and values. These emotions are seen as integral in refining human potential, as they prompt self-reflection, personal growth, and the cultivation of virtuous traits. Overall, the quote posits that shame and guilt have a positive impact on society and contribute to the development of refined and elegant human qualities.

Topics

Guilt
By Willard Gaylen
Liked the quote? Share it with your friends.

Random Quotations

On the contrary, art consists of inventing and not copying. The Italian Renaissance is a period of artistic decadence. Those men, devoid of their predecessors' inventiveness, thought they were stronger as imitators-that is false. Art must be free in its inventiveness, it must raise us above too much reality. This is its goal, whether it is poetry or painting. The plastic life, the picture, is made up of harmonious relationships among volumes, lines, and colors. These are the three forces that must govern works of art. If, in organizing these three essential elements harmoniously, one finds that objects, elements of reality, can enter into the composition, it may be better and may give the work more richness. But they must be subordinated to the three essential elements mentioned above. Modern work thus takes a point of view directly opposed to academic work. Academic work puts the subject first and relegates pictorial values to a secondary level, if there is room.For us others, it is the opposite. Every canvas, even if nonrepresentational, that depends on harmonious relationships of the three forces-color, volume, and line-is a work of art. I repeat, if the object can be included without shattering the governing structure, the canvas is enriched.Sometimes these relationships are merely decorative when they are abstract. But if objects figure in the composition-free objects with a genuine plastic value-pictures result that have as much variety and profundity as any with an imitative subject.

Fernand Leger