My approach is so simple every song I sing, every story I tell, every move I make, must move the audience to laughter, tears, or inspiration. Otherwise, why do it? It's the communication.
A person is never as quiet or unrestrained as they seem, or as bad or good, as vulnerable or as strong, as sweet or as feisty; we are thickly layered, page lying upon page, behind simple covers. And love - it is not the book itself, but the binding. It can rip us apart or hold us together...Layers, by their nature, are fragile things.
If your lot makes you cry and be wretched, get rid of it and take another; strike out for yourself; don't listen to the shriek of your relations...don't be afraid of public opinion in the shape of the neighbours in the next house, when all the world is before you new and shining, and everything is possible, if you will only be energetic and independent and seize opportunity by the scruff of the neck.
The entire Jesus concept, that human sacrifice should be the substratum of a moral religion of love, strikes me as incongruous. God condemned us and Jesus saved us, and they are actually the same being? Christianity is the idea that you are so abhorrent that God had to kill himself. He had to embody the human form and send himself on a bizarre suicide mission just to revoke the disgustingness of the humans he created. I balk at suggestions that these ideas dictate to the concepts of morality and love.
Inside of all of us there is the need and the desire to be heard, to have our innermost thoughts, feelings and desires expressed for others to hear, to see and to understand. We all want to matter to someone, to leave a mark. Writers just take those thoughts, feelings and desires and express them in such a way that the reader not only reads them but feels them as well.
Cuando uno se enamora las cuadrillasdel tiempo hacen escala en el olvidola desdicha se llena de milagrosel miedo se convierte en osadÃay la muerte no sale de su cuevaenamorarse es un presagio gratisuna ventana abierta al Ã¡rbol nuevouna proeza de los sentimientosuna bonanza casi insoportabley un ejercicio contra el infortuniopor el contrario desenamorarsees ver el cuerpo como es y nocomo la otra mirada lo inventabaes regresar mÃ¡s pobre al viejo enigmay dar con la tristeza en el espejo