That great Cathedral space which was childhood.
Vivre, naturellement, n'est jamais facile. On continue ? faire les gestes que l'existence commande, pour beaucoup de raisons dont la premiÃ¨re est l'habitude. Mourir volontairement suppose qu'on a reconnu, mÃªme instinctivement, le caractÃ¨re dÃ©risoire de cette habitude, l'absence de toute raison profonde de vivre, le caractÃ¨re insensÃ© de cette agitation quotidienne et l'inutilitÃ© de la souffrance.
The dubbing of the music and effects is really incredible today. You're feeling gun shots. I mean, it's not the way people say it is, but the gunshot sounds real. And cars sound real. Among the many things in the evolution (of movies) is to make the sound in the movie incredible. That's what you feel.
Two households, both alike in dignityIn fair Verona, where we lay our sceneFrom ancient grudge break to new mutinyWhere civil blood makes civil hands unclean. From forth the fatal loins of these two foesA pair of star-cross'd lovers take their life Whose misadventured piteous overthrowsDo with their death bury their parents' strife.
Critics who treat 'adult' as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.