Quote by Dan Millman

Everything you'll ever need to know is within you; the secrets of the universe are imprinted on the cells of your body. But you haven't learned how to read the wisdom of the body.


Everything you'll ever need to know is within you; the secre

Summary

This quote emphasizes the idea that all the knowledge one needs can be found within themselves. It suggests that the answers to life's mysteries and the universe's secrets are already imprinted in every cell of our being. However, the quote also highlights the fact that many of us have not yet acquired the ability to decipher and understand the wisdom that resides within our own bodies. It serves as a reminder that we possess innate wisdom, yet we must learn how to tap into it and interpret the messages it holds for us.

Topics

Wisdom
By Dan Millman
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Random Quotations

The stage is a concrete physical place which asks to be filled, and to be given its own concrete language to speak. I say that this concrete language, intended for the senses and independent of speech, has first to satisfy the senses, that there is a poetry of the senses as there is a poetry of language, and that this concrete physical language to which I refer is truly theatrical only to the degree that the thoughts it expresses are beyond the reach of the spoken language. These thoughts are what words cannot express and which, far more than words, would find their ideal expression in the concrete physical language of the stage. It consists of everything that occupies the stage, everything that can be manifested and expressed materially on a stage and that is addressed first of all to the senses instead of being addressed primarily to the mind as is the language of words...creating beneath language a subterranean current of impressions, correspondences, and analogies. This poetry of language, poetry in space will be resolved precisely in the domain which does not belong strictly to words...Means of expression utilizable on the stage, such as music, dance, plastic art, pantomime, mimicry, gesticulation, intonation, architecture, lighting, and scenery...The physical possibilities of the stage offers, in order to substitute, for fixed forms of art, living and intimidating forms by which the sense of old ceremonial magic can find a new reality in the theater; to the degree that they yield to what might be called the physical temptation of the stage. Each of these means has its own intrinsic poetry.

Antonin Artaud, The Theater And