Quote by Edward Young

Much learning shows how little mortals know much wealth, how little wordings enjoy.


Much learning shows how little mortals know much wealth, how

Summary

This quote reflects the idea that the more knowledgeable someone becomes, the more they realize the vastness of their ignorance. It highlights that despite accumulated wealth or material possessions, true satisfaction in life does not come from external factors but from the ability to appreciate and find fulfillment in simple things. It suggests that worldly achievements and possessions may not yield lasting happiness or contentment, emphasizing the importance of seeking wisdom and inner growth as the key to a meaningful life.

Topics

Learning
By Edward Young
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On the contrary, art consists of inventing and not copying. The Italian Renaissance is a period of artistic decadence. Those men, devoid of their predecessors' inventiveness, thought they were stronger as imitators-that is false. Art must be free in its inventiveness, it must raise us above too much reality. This is its goal, whether it is poetry or painting. The plastic life, the picture, is made up of harmonious relationships among volumes, lines, and colors. These are the three forces that must govern works of art. If, in organizing these three essential elements harmoniously, one finds that objects, elements of reality, can enter into the composition, it may be better and may give the work more richness. But they must be subordinated to the three essential elements mentioned above. Modern work thus takes a point of view directly opposed to academic work. Academic work puts the subject first and relegates pictorial values to a secondary level, if there is room.For us others, it is the opposite. Every canvas, even if nonrepresentational, that depends on harmonious relationships of the three forces-color, volume, and line-is a work of art. I repeat, if the object can be included without shattering the governing structure, the canvas is enriched.Sometimes these relationships are merely decorative when they are abstract. But if objects figure in the composition-free objects with a genuine plastic value-pictures result that have as much variety and profundity as any with an imitative subject.

Fernand Leger