Quote by Jim McKay
If you're a kid who's not necessarily attractive, and you don't have money, and you're not hip and cool, chances are you're not going to feel good about yourself and want to be an actor.
This quote highlights the perception that self-esteem and aspirations in certain fields, like acting, can be influenced by factors such as appearance, financial status, and popularity. It suggests that individuals who do not fit into conventional societal standards of attractiveness, wealth, or trendiness may have lower self-confidence and may be less inclined to pursue a career in acting. It sheds light on the role that society's judgments and standards play in shaping individual aspirations and self-perception.
The First [Friend] is the alter ego, the man who first reveals to you that you are not alone in the world by turning out (beyond hope) to share all your most secret delights. There is nothing to be overcome in making him your friend; he and you join like raindrops on a window. But the Second Friend is the man who disagrees with you about everything. He is not so much the alter ego as the antiself. Of course he shares your interests; otherwise he would not become your friend at all. But he has approached them all at a different angle. He has read all the right books but has got the wrong thing out of every one. It is as if he spoke your language but mispronounced it. How can he be so nearly right and yet, invariably, just not right? He is as fascinating (and infuriating) as a woman. When you set out to correct his heresies, you will find that he forsooth to correct yours! And then you go at it, hammer and tongs, far into the night, night after night, or walking through fine country that neither gives a glance to, each learning the weight of the other's punches, and often more like mutually respectful enemies than friends. Actually (though it never seems so at the time) you modify one another's thought; out of this perpetual dogfight a community of mind and a deep affection emerge.
Fewer and fewer Americans possess objects that have a patina, old furniture, grandparents pots and pans -- the used things, warm with generations of human touch, essential to a human landscape. Instead, we have our paper phantoms, transistorized landscapes. A featherweight portable museum.