He winced at her efforts to mollify him. Why didn't she say she was disgusted with his behaviour, with his long absence, his infrequent superficial letters? And if she dis say it - would he defend himself? Would he give reasons, try to explain how meaningless every endeavour seemed to him? No. For then she would start crying again, he would tell her to stop being silly, she would ask for details, and he would tell her to mind her own business.
There are three possible parts to a date, of which at least two must be offered: entertainment, food, and affection. It is customary to begin a series of dates with a great deal of entertainment, a moderate amount of food, and the merest suggestion of affection. As the amount of affection increases, the entertainment can be reduced proportionately. When the affection IS the entertainment, we no longer call it dating. Under no circumstances can the food be omitted.
Every day people are born and people die. Human beings come into this world and leave it - most without their names being immortalized in any history books. Millions of people have lived and worked and loved and died without making any great claims to fame or fortune. But they aren't forgotten - not by their friends, not by their families. And some of these people, some very special people, are not forgotten even by those who harldy knew them.
If photography is allowed to stand in for art in some of its functions it will soon supplant or corrupt it completely thanks to the natural support it will find in the stupidity of the multitude. It must return to its real task, which is to be the servant of the sciences and the arts, but the very humble servant, like printing and shorthand which have neither created nor supplanted literature.
Who among us has not, in moments of ambition, dreamt of the miracle of a form of poetic prose, musical but without rhythm and rhyme, both supple and staccato enough to adapt itself to the lyrical movements of our souls, the undulating movements of our reveries, and the convulsive movements of our consciences? This obsessive ideal springs above all from frequent contact with enormous cities, from the junction of their innumerable connections.
All forms of beauty, like all possible phenomena, contain an element of the eternal and an element of the transitory -- of the absolute and of the particular. Absolute and eternal beauty does not exist, or rather it is only an abstraction creamed from the general surface of different beauties. The particular element in each manifestation comes from the emotions: and just as we have our own particular emotions, so we have our own beauty.
For the perfect idler, for the passionate observer it becomes an immense source of enjoyment to establish his dwelling in the throng, in the ebb and flow, the bustle, the fleeting and the infinite. To be away from home and yet to feel at home anywhere; to see the world, to be at the very center of the world, and yet to be unseen of the world, such are some of the minor pleasures of those independent, intense and impartial spirits, who do not lend themselves easily to linguistic definitions. The observer is a prince enjoying his incognito wherever he goes.
Alas, human vices, however horrible one might imagine them to be, contain the proof (were it only in their infinite expansion) of man's longing for the infinite; but it is a longing that often takes the wrong route. It is my belief that the reason behind all culpable excesses lies in this depravation of the sense of the infinite.